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Lucrecia Jancsa

Harp teacher

Biografia

He was initially trained in Córdoba with Dora Zenobi, later perfecting himself in Germany, Switzerland, France and the United States together with Ursula Holliger, Catherine Michel, Susann McDonald and Oscar Rodríguez do Campo. She has a degree in music with ARPA orientation from the National University of the Arts (UNA). He has offered recitals and given courses in Germany, France, Switzerland, Spain, Italy, Mexico, Brazil, Peru and Uruguay. In chamber music, he joined prestigious national and international ensembles, such as Contemporary music soloists, the Sinfonietta of Buenos Aires Directed by Gerardo Gandini, and the Luminar trio.

His repertoire includes great concerts such as Ginastera, Boïldieu, Mozart, Pierné, Saint-Saëns, Lutosławski, Ravel, Debussy, etc. Performed together with orchestras such as the National Symphony, Buenos Aires Philharmonic, Camerata Bariloche, Symphony of the UNCuyo, Argentine National Orchestra of Music “Juan de Dios Filiberto”, Symphony of Rosario, Symphony of Córdoba, among others. Several of these presentations were made in emblematic theaters such as the Teatro Colón, El Círculo de Rosario, the Libertador Theater of Córdoba, Gran Rex, Teatro Solís and Sodre.

In 2022 he represented Argentina in the 14th World Harp Congress (St. David’s Hall, Cardiff, UK), performing the Two Dahlias concert of the Mexican composer Gerardo Tamez together with the harpist Mercedes Gómez, under the direction of Sylvain Blassel. In 2014 she was invited by the Americas Society to interpret Roosters and bones by Pablo Ortiz in the Here Arts Center from New York, next to Ensemble Meridionalis Directed by Sebastián Zubieta. He has collaborated with the Israel Philharmonic Orchestra (2013) and the Dresden Philharmonic (2018), under the direction of Zubin Mehta and Michael Sanderling, respectively. In 2024 she was invited as a harpist of the Santiago de Chile Philharmonic Orchestra. During his years of study in Germany he worked with the Basel Symphony Orchestra, Freiburg Philharmonic, Modern Ensemble and Ensemble Adventure.

Her interest in contemporary music led her to participate in the CETC, the Contemporary Music Festival of the Cervantes Theater and the San Martín Theater, performing works as south incises by Pierre Boulez (2015), the Concert IX – Five trios for flute, bandoneon and harp Along with Pablo Mainetti and Patricia Da Dalt (2018), Traces XII for harp and electronics by Martín Matalón (2019) and Zwei Akte by Mauricio Kagel (2018), among others. With the Luminar trio It was presented on international stages such as the Auditorium of the Thyssen-Bornemisza Museum and the Royal Conservatory of Music of Madrid, the Church Saint Martin-in-the-Fields from London, the Victor Salvi Harp Museum in Italy and the Cervantino International Festival in Mexico.

In 2009 he received the Konex Award as one of the most outstanding artists of the decade.
Parallel to his artistic activity, he has offered Masterclasses In the Golden Hall of the Teatro Colón, the ARPA Week in Buenos Aires and the International Harp Academy of Argentina, among other institutions. Among his recordings are the one published by the magazine classic, four discs next to the Luminar trio, , Zwei Akte by Mauricio Kagel and Three Tantric visions of Carlos Michans next to the 4mil saxophone quartet.

Resumo
Cordoba, Argentina
Main harp soloist of the Argentine National Symphony Orchestra. Teacher of the harp of the Superior Conservatory of Music Manuel de Falla (Buenos Aires). Member of the Board of Directors of the World Harp Congress. Member of the Grand Jury of the Konex Awards – Classical Music 2019.Founding member of the Luminar Trio.
Konex Award 2009
Leciona nos idiomas
Spanish

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